Miss Aniela Photography

I said I’d upload any publicity from the upcoming exhibition that I can get my hands on, so here is some..

This article was in Yo Dona magazine inside a well known Spanish newspaper yesterday. Published as an ‘exclusive’, they used a previously unpublished pic, At White Rock, as the main image.

To see bigger, click here. Oh no - not showing up big at all. I’ll get Delarge to help out with a onsite version ASAP…

Here is a translation (only for amusement really, at the misquotations and slight misinformation regarding Tate Modern - it was actually Tate Britain, and my inclusion in the exhib was due to a Flickr competition, I didn’t exactly have my own exhibit!)

“MISS ANIELA
Portrait of a lady 2.0.

“She started showing her photographs in internet and inmediately she jumped to the first row. Now this young british launches her controversial work in our country. By Sandra F. Molina.

“There is a reserve of young artists prepared to follow the Young British Artists that Saatchi sponsored in the 90s. In that situation is placed Natalie Dybisz, coming from Leeds and just hit her twenties, who one day decided to change her diary written with ink for a digital camera and upload her self-portraits in internet. Suddenly, she became an artist. ‘People liked my work, they said I had a own-style and they wanted to interview me. But that wasn’t my plan. I didn’t even study photography! 12 months after uploading my first self-portrait I did my first exposition’. It was on Flickr, the photography - interchange online community, a new example of the future navegation web 2.0. which is used by 25 million people everyday. On the net, Miss Aniela (pronounced Ann-yella). ‘Everyone needs to be protected by an alter-ego’, she argues. ‘On the right hand, I wanted to pay tribute to my polish origins and, on the other hand, I wanted to use the Miss label. It was a way to represent myself as a single and independent woman, young and feminine’.

“In her self portraits, she uses narcissist dreams to clone herself continuously and exaggerate the sensuality and the erotsim, a style that has made her one of the most controversial photographer on the internet. Because there are no few people that have brand her work as pornographic. “The fact that people don’t still assume that the image of a nude woman doesn’t mean sex makes me angry, it doesn’t have negative connotations nor has to become a part of masculine fantasies. With my shots I try to express my sexuality, but no with the presence of a spectator but as an active desire entity, with my rights. What I am.” The work of Miss Aniela has opened an interesting debate about the female nudity and its place in art history.

“The references to Cindy Sherman’s work are obvious, but Natalie feels overwhelmed with that comparison. “My work is less obvious , I am not able to parody with so much style as she did. But I agree with the ideology of her images.” With such a direct speech, its not weird that Natalie has reached the recognition short time. Last year, the London Tate Modern opened its doors to her work, in a retrospective about the new photography, and now she comes to Madrid to show her work in Self-gazing, a exposition she defines as “An opportunity to show the diversity of my style, to show my my most risky side and, at the same time, most sensual”. But this is another step more in the World Domination Plan of Miss Aniela.

“Self-Gazing can be seen from 17th april till 31st May in Cámara Oscura Gallery, Madrid. (More info: www.camaraoscura.net)”